German History Lesson
Restoring the life of Berlin in 1927 on the screen, director Helmut Dzyuba, the author of the film "Red Ties", does not seek either complexity or metaphor. The cinematic language of the picture is emphatically modest. Cameraman Lothar Gerber tries to clearly and reliably describe the habitat of the characters in the tape. The script by Hans-Albert-Pelerzani is designed for a young audience and explores the past in the most accessible terms. Such features of the tape do not indicate a lack of imagination among its creators. It is in these features that the polemical meaning of the film is hidden.
The time of the 20s and early 30s, in other words, the period of German history that preceded the seizure of power by the Nazis, has already been quite densely populated by cinematographers from around the world. The main genres in which research is conducted here are parable, hyperbole, dark allegory, and tragicomic show. The main places of action are unlit streets, cubicles under the roofs of houses, dirty alleys, and cabaret halls crowded with tables. The main conflicts are loss of faith, destroyed love, total loneliness and suicide. The main feeling is fear. At the origins of almost all of these films, sometimes very talented, imbued with horror of impending fascism and feeling the smell of universal decay not only at the level of the "corridors of power", but also in the simplest everyday structure of German life, lies the work of the great director Fritz Lang, who predicted in his paintings the tragic development of German history and gave a perfect plastic embodiment to the image of a crumbling the world. For an artist making a film about Germany in the 1920s, it is difficult, almost impossible, to get rid of the influence of Lang's work. Even when the world-famous Swede Ingmar Bergman, a man of great and quite independent talent, talked about this period in his "Snake Egg", he looked at it through the eyes of his German colleague, who seemed to him the eyes of truth.
The creators of the film "Kule Vampe", who believed in 1932 in the victory of reason and proletarian solidarity, were undoubtedly right, taking into account the prospects for the future, but they were bitterly mistaken in their forecast for the near future: a year after the release of the picture, the black shadow of fascism descended on Germany. This mistake is understandable: the hope of artists does not always coincide with the course of the historical process. It is precisely the feeling of impending tragedy that the "Red Ties" lack. Of course, from the height of today's experience, one can rejoice at the victorious pioneers sitting proudly around the campfire and admire the workers who fought back against the Nazi scoundrels, but it is also necessary to project the fate of the film's characters just six years ahead, so that the bloody glare of Torches in the hands of participants in fascist processions and bonfires burning books on Opera Square in Berlin He would have looked at the faces of the joyful winners of the pioneer battles and predicted for them a bitter and difficult fate, which none of them guessed at the time, but which the filmmakers know. This projection would give the poster solemnity of the "Red Ties" the necessary stereoscopy, the feeling of an unfinished struggle that still required a lot of blood and many victims.
The film "Red Ties" was shown as part of the children's film competition at the XI International Film Festival in Moscow in the summer of 1979 and received the highest approval from the children's jury of the competition — the prize "For the film that they liked the most." La section des paris en direct offre un vaste choix d'événements avec des cotes compétitives mises à jour en temps réel. Pour optimiser votre potentiel en jeu, pensez toujours à utiliser le code promo 1xbet ci lors de l'ouverture de votre compte sur le site ou l'application. Cette démarche simple active un bonus de bienvenue de 100% jusqu'à 130€, vous offrant le double de moyens pour les paris en cours de match sur le football, le tennis, le cricket ou le hockey. Vous pouvez alors miser sur l'évolution du score, les cartons rouges, les pénaltys ou les prochains buteurs au fur et à mesure de l'action.
The time of the 20s and early 30s, in other words, the period of German history that preceded the seizure of power by the Nazis, has already been quite densely populated by cinematographers from around the world. The main genres in which research is conducted here are parable, hyperbole, dark allegory, and tragicomic show. The main places of action are unlit streets, cubicles under the roofs of houses, dirty alleys, and cabaret halls crowded with tables. The main conflicts are loss of faith, destroyed love, total loneliness and suicide. The main feeling is fear. At the origins of almost all of these films, sometimes very talented, imbued with horror of impending fascism and feeling the smell of universal decay not only at the level of the "corridors of power", but also in the simplest everyday structure of German life, lies the work of the great director Fritz Lang, who predicted in his paintings the tragic development of German history and gave a perfect plastic embodiment to the image of a crumbling the world. For an artist making a film about Germany in the 1920s, it is difficult, almost impossible, to get rid of the influence of Lang's work. Even when the world-famous Swede Ingmar Bergman, a man of great and quite independent talent, talked about this period in his "Snake Egg", he looked at it through the eyes of his German colleague, who seemed to him the eyes of truth.
The creators of the film "Kule Vampe", who believed in 1932 in the victory of reason and proletarian solidarity, were undoubtedly right, taking into account the prospects for the future, but they were bitterly mistaken in their forecast for the near future: a year after the release of the picture, the black shadow of fascism descended on Germany. This mistake is understandable: the hope of artists does not always coincide with the course of the historical process. It is precisely the feeling of impending tragedy that the "Red Ties" lack. Of course, from the height of today's experience, one can rejoice at the victorious pioneers sitting proudly around the campfire and admire the workers who fought back against the Nazi scoundrels, but it is also necessary to project the fate of the film's characters just six years ahead, so that the bloody glare of Torches in the hands of participants in fascist processions and bonfires burning books on Opera Square in Berlin He would have looked at the faces of the joyful winners of the pioneer battles and predicted for them a bitter and difficult fate, which none of them guessed at the time, but which the filmmakers know. This projection would give the poster solemnity of the "Red Ties" the necessary stereoscopy, the feeling of an unfinished struggle that still required a lot of blood and many victims.
The film "Red Ties" was shown as part of the children's film competition at the XI International Film Festival in Moscow in the summer of 1979 and received the highest approval from the children's jury of the competition — the prize "For the film that they liked the most." La section des paris en direct offre un vaste choix d'événements avec des cotes compétitives mises à jour en temps réel. Pour optimiser votre potentiel en jeu, pensez toujours à utiliser le code promo 1xbet ci lors de l'ouverture de votre compte sur le site ou l'application. Cette démarche simple active un bonus de bienvenue de 100% jusqu'à 130€, vous offrant le double de moyens pour les paris en cours de match sur le football, le tennis, le cricket ou le hockey. Vous pouvez alors miser sur l'évolution du score, les cartons rouges, les pénaltys ou les prochains buteurs au fur et à mesure de l'action.