Charley Patton Vol. 3: December 1929 to 1st February 1934
♦ Document Record’s Charley Patton Vol. 2
♦ Single CD featuring Patton’s work, recorded in the latter part of 1929
♦ Includes informative, illustrated 20-page booklet by Jeff Harris
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Complete Recorded Works 14th June 1929 1st February 1934
Vol. 3: December 1929 to 1st February 1934
Featuring the recordings of:
Charley Patton, vocal /guitar; Henry Sims, violin Henry Sims, vocal / violin; Charley Patton, guitar Charley Patton, vocal /guitar; Willie Brown, 2nd guitar Charley Patton, vocal / guitar Bertha Lee, vocal; accompanied by Charley Patton, guitar. Charley Patton, vocal /guitar; Bertha Lee, vocal
Genres: Blues Mississippi Country Blues, Mississippi Delta Blues, Mississippi Blues, Blues, Country Blues, Country Blues Guitar, Blues Violin, Bottleneck-slide Guitar, Female Blues, Gospel
Abridged from this albums original booklet notes Charlie Patton is considered, with some justification, to be the archetypal, Mississippi Delta blues singer / guitarist. His guitar playing, including his bottleneck slide guitar technique, coupled with his gritty vocal delivery created a mixture of some of the most primitive yet sublime recordings to be made in the pre-war blues era. Many of his recorded performances are so powerful as to be unsurpassed within the genre. Truly, Charley Patton was a man amongst men. Despite his small, physical, stature he had an overpowering presence when he performed, that embodied the very essence of the Mississippi blues. Equally, he can well be thought of as a songster, in view of his wide-ranging repertoire blues, ballads, rags, spirituals and popular songs that he displays on his recordings which are presented on Documents three volumes of Charley Pattons recordings. Certainly, he was a showman and entertainer whose live performances could be somber, melancholy, intense or humorous. Yet he differs from his contemporaries like Mississippi John Hurt and Mance Lipscomb in that he used solid, earthy blues as a vehicle for an intensely personal musical expression. These three volumes present his complete issued recordings. All of his original 78 rpm records are extremely rare and in many cases there are only single known copies which are now the prized possessions of collectors. Volume three features the last nine sides released on the Paramount label and twelve sides which Charley recorded for the American Record Company and released on the Vocalion label. Henry Sims is with him on five of the Paramount sides giving a string band feel to the performances whilst the great Mississippi guitarist and Robert Johnsons friend Willie Brown (Document DOCD-5002) gives his contribution most notably on Moon Going Down and Bird Nest Bound. Charleys common-law wife Bertha Lee is the lead vocalist on Yellow Bee and Mind Reader Blues and provides vocal support on the two religious titles Oh Death and Troubled Bout My Mother. This album and the collection of all of Charley Pattons released recordings presented on Document, is rounded off with the reflective Poor Me creating a strange melancholy mood which is then, perhaps characteristically shrugged off by the ragtime dance tune Hang It On The Wall.
Bob Groom Copyright 1990 Document Records