Blind Willie McTell – Complete 1940 Library Of Congress Recordings

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This CD Album (Physical Format) – BDCD-6001 $18.99 Add to cart
Full Album Download MP3s – BDCD-6001 – This Download includes illustrated booklet notes & detailed discography $8.99 Add to cart
Full Album Download FLACs – BDCD-6001 – This Download includes illustrated booklet notes & detailed discography $8.99 Add to cart
1. Just As Well Get Ready, You Got To Die / Climbing High Mountains, Trying To Get Home – Blind Willie McTell
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2. Monlogue On Accidents – Blind Willie McTell
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3. Boll Weevil – Blind Willie McTell
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4. Delia – Blind Willie McTell
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5. Dyin’ Crapshooter’s Blues – Blind Willie McTell
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6. Will Fox – Blind Willie McTell
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7. I Got To Cross The River Jordan – Blind Willie McTell
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8. Monologue On Old Songs / Old Time Religion, Amen – Blind Willie McTell
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9. Amazing Grace – Blind Willie McTell
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10. Monologue On The History Of The Blues / Monologue On Life As Maker Of Records – Blind Willie McTell
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11. King Edward Blues (Baby, It Must Be Love) – Blind Willie McTell
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12. Murderer’s Home Blues – Blind Willie McTell
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13. Kill It Kid Rag – Blind Willie McTell
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14. Chainey – Blind Willie McTell
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15. I Got To Cross De River O Jordan – Blind Willie McTell
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BDCD-6001 Blind Willie McTell – 1940 Library of Congress Recordings.

This album presents what must be one of the most historic recordings in African-American history .A fascinating insight into the man who inspired among others the Allman Brothers, Taj Mahal, Bob Dylan and many others.

The history of these Library of Congress, Archive of American Folk Song, recordings is rooted in a visit made by John and Ruby Lomax to Atlanta, Georgia during November 1940. It is reported that Ruby spotted a “Negro man with a guitar” entertaining at a pig n whistle stand. Stopping their car to enquire, they discovered that the individual was Blind Willie McTell. The next morning in their hotel room he “sang and played his 12-string guitar vigorously for two hours”, forty or so minutes of which were committed to tape.

Blind Willie discusses his life, recording career and the history behind his music. Twelve excellent performances including blues, spirituals, ballads and rags can be heard. His skills as a 12-string guitarist, including some beautiful bottleneck / slide guitar, underline his reputation as being one of the finest musicians from Georgia.

Chainey, is a variant on Stavin Chain, one of the great heroes of the black folklore who was renowned for his sexual prowess. The much travelled murder ballad, Delia, shares several verses in common with the version sung for Lomax in June, 1935 by Booker T. Sapps and Roger Matthews (Document DOCD-5587). The railroading number, Will Fox, makes reference to “this Moore art” and was probably an illusion to the locomotive which ran on the Moore Central Railroad in North Carolina. Dying Crapshooter’s Blues is a rewording of a 19th century ballad which later became better known as “Streets of Laredo” whilst King Edward Blues is a rendition of “Baby It Must Be Love”, a thirties popular song inspired by the Edward and Mrs. Simpson saga (“made King Edward give up his crown”). Numbers like Boll Weevil and Kill-it-Kid Rag were perhaps sung on request since they appear with great frequency in the repertoire of other Lomax discoveries.

Willie McTell, reputedly, was a fairly religious man even though the commercial sides were secular. The religious pieces presented here have nothing of the vocal intensity of, say, his friend and mentor Blind Willie Johnson, who McTell refers to during the interviews presented here, yet the tremendous slide playing on the bass strings in both versions of River Of Jordan are totally evocative of Johnson whilst Johnson’s wordless moan, “Dark Was The Night”, appears here in the guise of the minute long instrumental, Amazing Grace.

As the result of a sheer chance encounter on a cold November’s evening in Atlanta, 1940, this surely must be one of the highlights in the history of recorded documentaries across the board of subjects and genres.

NOTE: Blind Willie McTell’ s early, commercial recordings (1927 – 1935) are available on the triple CD album, with seventy-four tracks and twenty page illustrated booklet, Document DOCD-5677 “Blind Willie McTell – Statesboro Blues – the Early Years 1927-1935”.

His 1949 solo recordings and duets with Curley Weaver recorded for the Regal label, along with four solo, Curley Weaver recordings, released on the Sitting In With label (1949 & c. 1950) can be found on Document BDCD-6014.

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This CD Album (Physical Format) – BDCD-6001 $18.99 Add to cart
Full Album Download MP3s – BDCD-6001 – This Download includes illustrated booklet notes & detailed discography $8.99 Add to cart
Full Album Download FLACs – BDCD-6001 – This Download includes illustrated booklet notes & detailed discography $8.99 Add to cart
1. Just As Well Get Ready, You Got To Die / Climbing High Mountains, Trying To Get Home – Blind Willie McTell
$0.99 Add to cart
2. Monlogue On Accidents – Blind Willie McTell
$0.99 Add to cart
3. Boll Weevil – Blind Willie McTell
$0.99 Add to cart
4. Delia – Blind Willie McTell
$0.99 Add to cart
5. Dyin’ Crapshooter’s Blues – Blind Willie McTell
$0.99 Add to cart
6. Will Fox – Blind Willie McTell
$0.99 Add to cart
7. I Got To Cross The River Jordan – Blind Willie McTell
$0.99 Add to cart
8. Monologue On Old Songs / Old Time Religion, Amen – Blind Willie McTell
$0.99 Add to cart
9. Amazing Grace – Blind Willie McTell
$0.99 Add to cart
10. Monologue On The History Of The Blues / Monologue On Life As Maker Of Records – Blind Willie McTell
$0.99 Add to cart
11. King Edward Blues (Baby, It Must Be Love) – Blind Willie McTell
$0.99 Add to cart
12. Murderer’s Home Blues – Blind Willie McTell
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13. Kill It Kid Rag – Blind Willie McTell
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14. Chainey – Blind Willie McTell
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15. I Got To Cross De River O Jordan – Blind Willie McTell
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